Try not to paint over and over the same section because doing that will result in the colours mixing together. The important thing is not to rush it, and to let each layer dry before painting the next. Start by working out how much of the page you want to be sky. Paint it all a mid purple-grey colour and let it dry. This is a technique for any cheap and worn-out brushes you may have! Mix up a dark purple-grey and begin scrubbing it on at random to create dark spots in the cloud.
You only need to touch the brush to the paint so you hardly pick any up. Using only a tiny bit of paint is what creates that barely-there texture.
One more step
The brightest highlights should still have a little of the purple-grey in them, rather than being pure white. Generally, clouds are darker on the bottom and lighter on the top, so use this highlight sparingly to help shape your clouds. Your email address will not be published.
Save my name, email, and website in this browser for the next time I comment. Skies are not an easy subject, that's exactly why I try to share the little I know - hoping it might help other artists. Focusing on those that turn out great is the key, I think. Sounds like you are doing great. Thanks a lot for your comment! And happy or should I say heavenly painting! Thank you for sharing your experience and tips here. I'll be coming back to read the details more carefully because I still struggle with skies. One time my work turns out great, the next time I can only shake my head at the failure!
A hard edge defines neatly where an object ends and the next starts. A soft edge is when the color of a painted object transitions or fades into the adjacent one. Parts of the clouds are so thin that the sky behind shows through. Mixing the sky color into the cloud color, and keeping the edges soft and broken will help a lot. Also, the sky over the horizon gradually changes color.
This can be described very well with glazes and blending. For sharp edges apply thick paint with no blending. Create Grays With Triads of Complementary Colors As much as I love the bright colors of sunsets, I soon realized that a painting full of intense colors does not look good. To keep the grays chromatic while ensuring color harmony, create grays with triads of complementary colors.
Clouds on the Horizon Are Cooler and Lighter Looking into the distance, colors and hues change, due to the amount of air and particles that are between the viewer and the object. The more distance between us and an object, the stronger the filtering effect of the atmosphere. Look at a landscape view that expands to the horizon and notice how: Colors are less intense in the distance, more intense in the objects closer to us.
Colors are cooler in the distance and warmer in the foreground. Value contrasts get smaller in the distance. This is true for vegetation and for cloud formation as well. Also, an important effect of the thickness of the atmosphere is how the sky color changes. The sky is darker up above our heads and gets lighter moving toward the horizon.
Nothing is Truly White in the Sky. Chromatic Whites Everything in nature is influenced by the color of light. Do you find painting skies easy? I find it hard. I am learning, slowly getting there. Yes, I don't find painting skies difficult. Change Things as Needed to Improve the Painting If you are painting from a photo, feel free to leave out elements that are in the photo but are not helping the composition.
Attention Required! | Cloudflare
Paint general to specific. Start by brushing in thin paint with huge brushes, blend the edges.
Just to give you an idea, for a 20x24 inch canvas, I start with 2-inch brushes. Throughout the painting, keep using bigger brushes than those you would instinctively use. Pick up a brush, then put it down and switch to one a couple of sizes bigger.
10 Tips to Paint Clouds and Skies
When mixing a very light color, start from a light color i. Look at Perspective, Coloration, Size, and Lighting. Thick Paint vs Glazes. Start Thin, End Thick The sky is made of air, vapor, and particles. Linear Perspective in Clouds. Vanishing Point Lines and proportions in the sky are affected by the same rules of perspective that apply to objects on the ground, with vanishing points and all lines pointing towards them.
Rendering Clouds as Solid Objects. Soft-Edged Boxes When drawing or painting clouds, it helps thinking of them as solid objects. This helps a lot when rendering shadows and lights of a cloud. Through my self-taught art lessons, I actually got much better at painting skies. Every Painting Teaches You Something New Looking back at my first cloud painting, I realize how much I learned in the last three years about painting skies.
Yes, yes, I know, there are exceptions. Of course, if your skyscape has no clouds, then a large part of this painting problem is solved! The basic theory with this subject is that clouds close to the horizon will generally appear smaller. If there are any lines, or any loose patterns, they'll be subject to the same rules of perspective that buildings and straight lines are. Here are some examples for you.
Your homework is, grab a glass of chardonnay or beverage of choice , and sit on a hill. Really notice the difference between clouds that are far away from you, and close to you. How does the distance affect their shape? Are there any patterns that are altered with distance? Do some quick sketches.
When you understand how to use perspective, your clouds and skyscapes will be more natural and will have wonderful depth. Before you had too much chardonnay, you may've noticed that the clouds in the distance appeared to be different. They can appear to be paler, or even a slightly different colour. This is due to atmospheric perspective. Atmospheric perspective is most easily explained in this way:. When looking close to the horizon, your eye is generally looking through a large amount of dust and pollution in some cases. This means that the clouds close to the horizon are tinted by this haze.
The further away the clouds, the more "stuff" between you and them. However, when looking directly upwards, we tend to look through much less interference from the atmosphere, and the clouds and sky appear "cleaner". This can often be more noticeable as the sun drops lower, and infuses all the clouds closest to it with light. When painting skyscapes, understanding how to apply atmospheric perspective is a sensational tool for creating the illusion of distance.
Some great examples of atmospheric perspective can be seen along the skyscapes of the east coast of Australia. These tint the mountains, and all things in the distance a gorgeous blue. Let's start with a crystal clear day, and a couple of fluffy white clouds. Sounds simple, doesn't it?
What difference will that make to your skyscapes? The light will be different. In my part of the world, the wind tends to come from the North-East during Summer. That wind is laden with salt spray, and who knows what else.
This filters and affects the light. Winter, on the other hand, often gives us cooler, cleaner South-Westerly winds.
What can I do to prevent this in the future?
This changes the light again. Unfortunately this homework will take you all year! And possibly dozens of bottles of chardonnay to boot! While there are differences, it's not as dramatic as the light from a sunset or sunrise. The light thrown around from a glorious sunset is breathtaking. Learning to identify and paint the colour shifts in a sunset, is a more complicated affair.
Watch your sunset, and notice the shift in hues from the clouds that are closest to the sun, to those that are further away. There will be a gradual progression from warm through to cooler. That shift in colour will often happen in individual clouds as well.
What I Did I Learn About Painting Clouds and Skies?
It is very difficult to go into too much detail regarding this without taking up 40 pages or more. Truthfully, I wouldn't put you through it. It hurts my head!
- How To Paint The Sky With Acrylics: 3 Techniques - Birch And Button?
- 10 Tips to Paint Clouds and Skies | FeltMagnet.
- Pioneer Mother: The Life and Times of Esther Clark Short;
- Winds of Fortune (Provincetown Tales Book 5).
For me, it is enough to understand the shift from warm through to cool more on that in a minute and to develop some simple skills. This knowledge and some ability with a brush, along with close observation, should initially get you through painting realistic skyscapes.
Let's move on to some painting skills.